{"id":7596,"date":"2019-05-17T11:34:58","date_gmt":"2019-05-17T11:34:58","guid":{"rendered":"https:\/\/dulcinee.org\/compagnie\/"},"modified":"2024-06-07T12:44:02","modified_gmt":"2024-06-07T12:44:02","slug":"compagnie","status":"publish","type":"page","link":"https:\/\/dulcinee.org\/fr\/compagnie\/","title":{"rendered":"Compagnie"},"content":{"rendered":"\t\t
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Dulcinea Langfelder & Cie.<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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La compagnie<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tFond\u00e9e en 1985, \u00e0 Montr\u00e9al, Dulcinea Langfelder & Cie est un organisme \u00e0 but non lucratif qui a produit les spectacles suivants : Cheek to Cheek<\/span><\/a><\/span> (2018), Confidences sur l’oreiller, un essai sur les r\u00eaves<\/a><\/span>(2016), La complainte de Dulcin\u00e9e<\/a><\/span>(2008), Victoria<\/a><\/span> (1999),Portrait d’une femme avec valise<\/a><\/span>(1994), Hockey! OK ?<\/a><\/span> (1990), La Voisine <\/a><\/span> (1989) et Cercle vicieux<\/a><\/span> (1986).\r\n\r\nLe rayonnement international de ses \u0153uvres compte plus de 125 tourn\u00e9es. Dans plusieurs cas, Dulcin\u00e9e a r\u00e9ussi \u00e0 transposer ses textes dans la langue du pays d\u2019accueil. C\u2019est un v\u00e9ritable tour de force consid\u00e9rant l\u2019humour qui s\u2019y trouve. Elle joue le spectacle entier en espagnol au Mexique, fait plusieurs sc\u00e8nes en japonais et en mandarin ; elle ne n\u00e9glige aucun effort pour \u00e9tablir un lien chaleureux avec le public qui la re\u00e7oit.\r\n\r\nL\u2019art qui fait du bien. Voil\u00e0 la devise que Dulcin\u00e9e Langfelder a inscrite au c\u0153ur de ses \u0153uvres. Toutes sont d\u2019une grande sensibilit\u00e9 et d\u2019une intelligence artistique exceptionnelle, aussi profond\u00e9ment r\u00e9fl\u00e9chies que stimulantes. Elle plonge au c\u0153ur des sujets les plus d\u00e9licats avec son humour si singulier, m\u00ealant tendresse et piquant. Les propos de ses spectacles ont une port\u00e9e universelle et refl\u00e8tent une vision de tol\u00e9rance entre les peuples, de rapprochement entre les religions, entre les cultures et, m\u00eame, entre les g\u00e9n\u00e9rations. Dulcin\u00e9e a pass\u00e9 sa carri\u00e8re \u00e0 vouloir am\u00e9liorer le monde, \u00e0 abattre des barri\u00e8res, \u00e0 aborder les dilemmes humains, et \u00e0 franchir les fronti\u00e8res du possible. Elle a un don pour rendre magnifiquement visible ce qui est l\u00e0, sous nos yeux mais qu\u2019on ne voit pas.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"Dulcinee\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Approche artistique<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00ab Tout le monde me demande de d\u00e9finir ce que je fais en termes de discipline, tout le monde sauf mon public. Lors d’une repr\u00e9sentation, cela devient \u00e9vident. L’imagination humaine ne cat\u00e9gorise pas – la preuve est dans le r\u00eave! Nous n’avons pas de r\u00eaves \u00ab\u00a0parlants\u00a0\u00bb, de r\u00eaves \u00ab\u00a0musicaux\u00a0\u00bb ou de r\u00eaves \u00ab\u00a0mouvements\u00a0\u00bb. Nous n’avons pas de r\u00eaves \u00ab\u00a0traditionnels\u00a0\u00bb ou \u00ab\u00a0exp\u00e9rimentaux\u00a0\u00bb. Quand on r\u00eave, on m\u00e9lange tout. Ce que je fais sur sc\u00e8ne refl\u00e8te simplement le fonctionnement normal de l’imagination. L’imagerie n’est pas seulement des images. L’imagerie nous parle \u00e0 un niveau qui va plus loin que la langue et la culture, et qui concerne tous nos sens, puisque l’imagerie est suggestive et provoque notre m\u00e9moire sensorielle.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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L'\u00e9quipe<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"photo<\/a><\/figure>

Dulcin\u00e9e Langfelder<\/a><\/h3>

Fondatrice et directrice artistique<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"Suzanne<\/figure>

Suzanne Bilodeau<\/h3>

Direction g\u00e9n\u00e9rale<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"Vincent<\/figure>

Vincent Santes<\/h3>

Direction technique<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"Julie<\/figure>

Julie Messier<\/h3>

Administration<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Conseil d'administration<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"Portrait<\/figure>

Normand Tamaro<\/h3>

Avocat<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"Mikael<\/figure>

Mikael Vitali<\/h3>

Directeur administratif au Jamais Lu et Th\u00e9\u00e2tre Aux \u00c9curies<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"Anne-Marie<\/figure>

Anne-Marie Panneton<\/h3>

Responsable d'activit\u00e9s, HEC Montreal<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"Paul<\/figure>

Paul Cl\u00e9ment<\/h3>

Conseiller en d\u00e9veloppement \u00e0 Paul Cl\u00e9ment, GPP<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"\"<\/figure>

Viktoria Bobovskaia<\/h3>

Gestionnaire de programme et doula<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"photo<\/figure>

Dulcin\u00e9e Langfelder<\/h3>

Administratrice<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"Catherine<\/figure>

Catherine Devost<\/h3><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"Chloe<\/figure>

Chloe Gayraud<\/h3>

Agent d'artistes et cin\u00e9aste<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Philippe Beaudoin, Denise Boulanger, Maryl\u00e8ne Breault, Danny Carbonneau, Patrice Daigneault, Bruno Desrosiers, Hans Nasserdine Djafer, Patrice Fleurant, Dino Giancola, Bruno Lavoie, Jimmy Lakatos, Erik Lapierre, Martin Lepage, Danys Levasseur, Martin Rouleau, Mathieu Teasdale, Yves Simard…<\/p>\n

Et nos amis et coll\u00e8gues :<\/strong><\/p>\n

Alexandre Escure, Alice Ronfard, Ana Cappelluto, Celia Moreno, Charmaine Leblanc, Christian Calon, Christine Huet, \u00c9ric Gingras, Gabriel Galvis, Jean Maheux, Jules De Niverville, Kamal Laidi, Lucie Gueydon , Louisa Temal, Maryse Pigeon, Perrette Subtil, Philippe Noireaut, R\u00e9al Boss\u00e9, Yves Labelle et tous les autres !<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Victoria<\/div>
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Cheek to Cheek<\/div>
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Confidences sur l'oreiller<\/div>
En savoir plus<\/div><\/div><\/a><\/div>
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La voisine<\/div>
En savoir plus<\/div><\/div><\/a><\/div>
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La Complainte de Dulcin\u00e9e<\/div>
En savoir plus<\/div><\/div><\/a><\/div>
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Portrait d\u2019une femme avec valise<\/div>
En savoir plus<\/div><\/div><\/a><\/div>
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Hockey! OK?<\/div>
En savoir plus<\/div><\/div><\/div><\/div>
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Cercle vicieux<\/div>
En savoir plus<\/div><\/div><\/a><\/div>\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Dulcinea Langfelder & Cie. La compagnie Fond\u00e9e en 1985, \u00e0 Montr\u00e9al, Dulcinea Langfelder & Cie est un organisme \u00e0 but non lucratif qui a produit les spectacles suivants : Cheek to Cheek (2018), Confidences sur l’oreiller, un essai sur les r\u00eaves(2016), La complainte de Dulcin\u00e9e(2008), Victoria (1999),Portrait d’une femme avec valise(1994), Hockey! OK ? (1990), […]<\/p>\n","protected":false},"author":7,"featured_media":6680,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-7596","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nCompagnie | Dulcin\u00e9e Langfelder & Cie<\/title>\n<meta name=\"description\" content=\"Fond\u00e9 en 1985 \u00e0 Montr\u00e9al, Dulcin\u00e9e Langfelder & Cie est un organisme \u00e0 but non lucratif qui compte plus de 125 tourn\u00e9es.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dulcinee.org\/fr\/compagnie\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Compagnie | Dulcin\u00e9e Langfelder & Cie\" \/>\n<meta property=\"og:description\" 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